Wednesday, June 16, 2010

Classic Album Review: Supertramp - Famous Last Words, a great Album ending one of the finest songwriting collaborations of all time


The last (7th) studio album collaboration by Supertramp's original singer/songwriter team of Rick Davies and Roger Hodgson is a fine pop album which is unfairly criticised as not delivering the same quality of music as their previous four classic rock productions. This criticism is however not warranted for a variety of reasons. It is a fine album with almost every single song worthy of a listen. The main point which however makes this album a classic is the meaningful if melancholic lyrics which puts both Roger and Rick amongst the greatest rock lyricists of all time.

The album was nevertheless written under difficult circumstances:

1. The album was written at the height of personal tension between Roger and Rick (and reportedly their respective wives who were not best of friends). For the first time they wrote and recorded their own songs in separate studios without any face to face collaboration. (although Roger has since claimed that this was always the case and he gave songwriting credit to Rick for many of the songs he had written over the years by himself)
2. This was a typical "under pressure" follow up album to the chart topping and 15m+ selling "Breakfast in America".
3. Whilst undoubtedly this album has a pop focus, it still remains a fine album with a classic rock edge.
2. The lyrics in songs such as "C'est Le Bon", "Waiting for so long" and "Know who you are" are in the "must Listen to" category of rock lyrics. They are amongst the greatest Supertramp lyrics of all time and as profound and meaningful as rock lyrics can ever get.

This album is not initially as easy to listen to as e.g. Breakfast in America. However, both the melodies and the lyrics become more and more meaningful with further listens.

Neither Roger Hodgson in his solo career afterwards, nor Supertramp without Roger managed to reach anything close to the success level of Supertramp up to and including Famous Last Words, yet again another case of lost synergistic creativity. although Roger Hodgson has managed to write and produce some fine songs and great lyrics for his solo albums.

I highly recommend this album to all Supertramp and classic rock fans.
My Rating Rating: ***** (5/5)

Thursday, May 6, 2010

Classic Album Review: Roy Harper's Stormcock, a unique masterpiece of unrivalled grace and beauty


You may ask why I am bothering to review a 1971 album by an artist who only serious folk rock fans would have heard of? I could write a blog just to answer this simple question.

This album is indisputably one of the greatest (folk) rock albums of all time by the artist who has for years been referred to as "Classic Rock's Best Kept Secret"! Of course this does not by any means suggest that Roy Harper is an obscure musician. He has uncredited playing role in some of Led Zeppelin albums and Jimmy Page admired Roy Harper for not selling to commercial temptations and wrote the Led Zeppelin song "Hats off to Roy Harper". And of course Pink Floyd famously asked him to do the lead vocals for the song "Have a Cigar" in their phenomenal Wish You Were Here album.

Stormcock however is a once in a generation gem and Roy Harper's best ever work. It was Roy Harper's fifth album and originally released in 1971. The best way to describe this album is to simply state that every serious music fan from Bob Dylan's folk rock to Led Zeppelin's harder sound to Pink Floyd's psychedelic genius would fall in love with this album, only if they'd get the chance to listen to it.

Roy Harper manages to melt his intelligent and meaningful lyrics into his beautiful voice and great but simple acoustic guitar melodies. The album's chaotic structure (the two longest songs have different sections) makes it simply perfect. Jimmy Page plays in one of the songs with Roy Harper and the lyrics deal with a variety of topics such as hypocrisy of religion as well as love and war!

The jewel in the crown is nevertheless the epic love song "Me and my Woman". I must confess I have listened to this song at least a million times and and am yet to find the right words to describe its beauty and grace.

The album was digitally remastered and released in 2007. Whilst almost all digitally remastered albums from the 60s and 70s truly kill the original intended feel of the work, this remastered version is in fact very good and I have even purchased it!

If you are a serious music fan, you must listen to this album. It's grace and beauty will spellbound you for the rest of your life. Stormcock is a unique never to be repeated masterpiece and is undoubtedly one of the greatest albums of all time.

Wednesday, April 21, 2010

My Current Favourite Top 5 Indie Female Singer Songwriters (in no particular order)

The world of music has had a rough ride since the creation of Napster file sharing software in the late 90s. However, during the past 10-15 years one of the greatest things that has happened to the industry is the massive number of female singer songwriters blossoming in acoustic guitar/folk/country genres across the world. There are many of them around. The following are my current 5 favourites (I am a fan of many others but listen to various works by the following 5 regularly at the moment:


Jen Cloher: This talented Melbourne based singer/songwriter & her band of varying members "The Endless Sea" are undoubtedly one Australian music scenes best kept secrets! Jen Cloher's debut ARIA nominated album "Dead Wood Falls" in 2006 was a mixture of beautiful piano based ballads & luscious country based melodies full of personal experiences. Whilst I love listening to Dead Wood Falls in its entirety, my favourite tracks on the album are "Spring" & "Rain". The song "Rain" in particular could have & should have been a huge hit in the US country music scene and is a great example of Jen Cloher's powerful vocal range & melodic voice.

Jen Cloher recently released "Hidden Hand", the follow up to her firs album. Hidden Hand lyrics are more intimate & personal. whilst the album overall has more upbeat melodies, the country based feel of most of the songs make is an extremely enjoyable & easy to listen work. My favourite tracks are the title track "Hidden Hands", "Time among the Pines" & "Fear is like a Forest".

Tristan Prettyman: is a native of San Diego California & one of the most popular acts in the Live circuit in Southern California. If you happen to be travelling to San Diego & decide to check the city's live music scene, you won't be disappointed if you are lucky enough to see Tristan Prettyman. She has so far released two main albums (amongst other works such as EPs) are "Twenty Three" and "Hello....x", both of which are great acoustic albums full of great acoustic melodies & lyrics filled with personal experiences.


Katie Melua: This Georgian born British raised singer/songwriter is a mainstream name in UK & parts of mainland Europe. Her 3 albums "Call off the Search", "Piece by Piece" & ""Pictures" have collectively sold very well. Her signature song is "Nine Million Bicycles" from her second album, a song which caused a small scientific stir across Britain with its absolutely beautiful lyrics. Katie Melua's style is a combination of love ballads/pop & jazz genres making her music suitable for most occasions.

Natalie Merchant: is by most accounts a veteran of the music scene & a great talent with a soulful voice. She started as the lead singer of the US indie/folk band 10,000 maniacs in the late 80s & early 90s (a band well worth a listen). Her soulful voice inevitably took her to the solo path & some of you may remember her debut solo album in 1995 "Tigerlily" which was both a commercial & critical success & spun off the international single "Carnival". The reason I am including Natalie Merchant in my list of current favourite female singer/songwriters is because after 7-8 years of avoiding the spotlight, she has just released a new solo album "Leave your Sleep", which is about to be released in Australia.

Duffy: Yes, I know Duffy is yet to release a second album following her worldwide smash hit album "Rockferry" in 2007. And yes, the fiercely nasty rivalries in the British music scene will always be given plenty of oxygen by the tabloid media's obsession with comparing the likes of Duffy, Adele, Feist, Jem & Dido with each other. However, the combinations of Duffy's great voice, the beautifully crafted songs & clever production make Duffy's Rockferry one of the greatest albums of the noughties (and beyond) and hence why to this day it is still charting in parts of Europe. As a result she makes my current list simply because I have not stopped listening to it since I bought it nearly 2 years ago!

There are plenty of other very talented female singer/songwriters around, including in Australia of course. I hope this blog post wets your appetite to discover them & enjoy their plentiful collective talent!


Friday, April 2, 2010

Best ever Pop/Rock Cover Versions

Like most other pure music fans, I generally dislike cover songs, even when performed by talented acts capable of bringing their own interpretation to songs. But I particularly get annoyed when classic pop/rock songs are almost murdered by:

a) DJs & dance acts who use unnecessary drum machines & sequencer beats,
b) Inept singers who simply do not possess the vocal range
c) Cover versions killing the heart and soul of the original by overuse of technology
d) Hip Hop/Urban acts who ruin classic songs with their over "samplig" of classic songs

Having said that, I do have a special list of original pop songs which I love, but believe the cover versions/interpretations are in fact better than the original versions:

Here's my list, in no particular order & not exhaustive by any means. Therefore, I look forward to comments & additions to the list:


Original by: Bob Marley, Covered by Eric Clapton: I Shot the Sheriff:


Some of the best & most well known songs by the legendary Eric Clapton are cover songs. In my opinion, his version of Bob Marley's "I shot the Sheriff" is a great production in its own right.

Original by: JJ Cale, Covered by Eric Clapton: 1) Cocaine, 2) After Midnight (Cover version featured in Cross Roads, not the earlier version)

Eric Clapton is also a life long admirer & friend of the reclusive legend JJ Cale. Not only Clapton has covered two of JJ Cale's songs, he & cale released an album together in 2006 in which they re recorded Cale's song "Dont Cry Sister".

But Clapton's most famous cover of Cale's songs is "Cocaine. Clapton adds spice(1) to the song with a great lead guitar which is missing from the almost perfect original. As well as this, he has twice covered "After Midnight" & used to performed this song in his live sets. Clapton's pure guitar/bass/drums version recorded in late 80s is my favourite version. It was specially recorded for his 4 disc set "Cross Roads" is a brilliant song which sadly only appears in the mentioned 4 disc set.

Original by: John Lennon, Covered by Roxy Music: Jealous Guy

John lennon's Jealous Guy is almost as good as "imagine" However, Bryan Ferry's soulful voice, & Roxy Music's masterful production make Roxy Music's version a much more romantic song than the original.

Original by: Bob Dylan, Covered by Jimi Hendrix: All along the Watchtower

Like Eric Clapton, two of Jimi Hendrix's greatest & most loved songs are actually covers!
What a pairing! Bob Dylan's version is a folk song whilst Jimi Hendrix adds his unique guitar riffs to his version, something which only Hendix could do! A great song worthy of being better than its legendary original.

Original by: The Leaves, Covered by Jimi Hendrix: Hey Joe

it is almost impossible to imagine anyone but Jimi Hedrix perform "Hey Joe". But the very rare out of print version by the Leaves is the original version released as a single unsuccessfully before Hendrix recorded his materful version with the help of Mitch Mitchell & Noel Redding, as the first ever single by "Jimi Hendrix Experience".

Original by: (traditional Spiritual Song) earliest recording by The Weavers, Covered by Nina Simone: Sinner Man

If you wish to fully appreciate Nina Simone's work on this cover, watch the final scene of the 1999 movie "Thomas Crown Affair" starring Pierce Brosnan! It will give you goose bumps!

Original by: Bob & Earl, Covered by the Rolling Stones: Harlem Shuffle

In mid 1980s, Mick jagger & Keith Richards decided the Rolling Stones needed to lift its "dinasaur" image. They decided to cover Harlem Shuffle but made it more funky whilst preserving its soulful originality. The result is simply great song & a much better version than the original.

Original by: Bruce Cockburn, Covered by Barenaked Ladies: Lovers in a Dangerous Time


Bruce Cockburn is a much loved & publicity shy Canadaian folk singer who briefly shot to international fame in the mid 80s with his environmentally driven worldwide hit "If a Tree Falls in the Forest". One of his other well know songs in canada is Covered by another better known Canadian band, "Barenaked Ladies".

For those of you who may be unfamiliar with this song and/or the acts mentioned, all I can say is get your hands on Barenaked Ladies version (in their Greatest hits). the brisk yet acoustic production simply immerses in the rather controvertial lyrics & will become an all time favourite!

Original by Jackie DeShannon, Covered by Smokie: Needles & Pins

Needles & Pins is a song which most people think was originally recorded by the 60s band "The Searchers". But Searchers & subsequently many other acts including Tom Petty in fact covered this original song by Jackie DeShannon. however, the English band "Smokie"'s version simply leaves all other covers for dead. Chris Norman's voice is a perfect fit to the melody & the lyrics.

Original by Neil Diamond, Covered by UB40: Red Red Wine

To the continuous annoyance of Neil Diamond who to this day goes as far as changing this song half way through his live performances to a raggae song, the fact remains that UB40 shot to worldwide fame with this great cover interpretation of the song & simply made it their own as a result.


Original by Jimi Hendrix, Covered by Stevie Ray Vaughan & Double Trouble: Little Wing

This cover is not so much a superior version because Jimi Henrix's original is simply brilliant. The great blues guitarist Stevie Ray Vaghan, the heir apparent to Jimi Hendrix, shortly before his tragic death recorded this instrumental almost 7 minute interpretation of Jimi Hendrix's original two & half minute song & ended up with a masterpiece of his own worthy of its own accolade as a separate song.

However, having two guitar masters doing two completely heavenly version of this song makes Stievie Ray Vaghan's version an imperative mention in my list.


Original by the Beatles, Covered by Joe Cocker: With a Little Help from my Friends

This is yet another song which the cover is markedly different to the original.Joe Cocker's version with female backing vocals & his soulful voice made his version a superior outcome & a classic in its own.



Leonard Cohen,in my view is a great modern poet and treasured musician. But he's not much of a singer! Therefore many of his songs have been covered by more able singers. The following two are the peak of teh crop & my favourites:

Original by Leonard Cohen, Covered by Jennifer Warnes: First We Take Manhattan

Original by Leonard Cohen, Covered by Jeff Buckley: Hallelujah

Original by Tim Hardin, Covered by Rod Stewart: Reason to Believe

I am not by any means Rod Stewart's biggest fan! But whilst Tim Hardin's original version of this song is very good, Rod Stewart's husky voice simply makes his versionone of his best songs of his career.

Whilst I have many other examples I could have added, I am leaving this to others with their comments.

Saturday, January 9, 2010

Sleepy Jackson's 2003 album "Lovers", Australian Indie music at its best

This multiple ARIA nominated debut alum by Sleepy Jackson is undoubtedly one of the best Australian indie rock albums of the 2000s. Sleepy Jackson were originally formed in Perth and took their name from a narcoleptic band member!

Essentially led by the multi instrumentalist Luke Steele, who comes from a musical family, they moved to Sydney & released their debut album in 2003. Luke Steele's latest project was the highly ambitious & multi ARIA winning debut album by Empire of the Sun in 2008.

"Lovers" is a compilation of Luke Steele's influences from pop harmonies to folk, electropop & indie guitar songs. His lack of direction is in fact the reason this album is so enjoyable. The only other musician who seem to do this variation of styles very well is in my view Moby.

Having said that, Luke Steele maintains a distinct style and sound which is easily identifiable in this album & his latest work (Empire of the Sun).

The album flows easily and is very easy to listen to as each song takes your mind away to a different place with different styles & influences evident in each song, from the Beatles to David Bowie to The Eagles & the Aussie trend setters the Church.

The standout songs are "Rain falls for Wind" & "Acid in my Heart". These two songs in my view are examples of the Australian indie scene at its best & in quality match works by the trend setting Aussie indie bands of the 80s & 90s such as the Church.

The two main singles are the catchy pop songs "Good Dancers" & "Vampire Racecourse". Other notable songs are "Mourning Rain", the pop influenced "Tell the Girls..." & (the Eagles sounding) country/folk influenced "Miniskirt". Even the song "Morning Bird" with an apparently young girls singing is a joy to listen to, even though highly out of phase with the rest of the album.

All in all one of the best albums out of Australia in the last decade.

My Rating: Essential for any music collection, 8/10